A Little B&A Action

Work on the windows has been slogging along. These windows were the last of the copious amounts of woodwork in the dining room that remained to be stripped of paint. The windows themselves are in surprisingly good shape. I mean, they don’t open, because they’ve been hopelessly painted shut for decades, but at least they are not rotten. The reason I’m surprised that they are structurally sound is because they are south facing windows. The sun hits this side of the house relentlessly as it makes its way across the sky. The 2 windows in the upstairs part of this same bay have not faired as well.

There are no Before & After shots of the windows just yet. They are still a work in progress. I do have some shots of the sash locks, though. Even though these windows won’t be able to open, that doesn’t mean they won’t get a proper set Victorian Sash locks.

The B


And The A


This is actually 2 different locks, but believe it or not, they are essentially the same thing. It is amazing the detail you can hide under 10 or 20 layers of paint. Every time I see something like this I'm reminded of Jerry Seinfeld's skit about how every time he paints his apartment he notices that the room gets a little bit smaller. Even though it is just a thin film of paint, you can feel the walls closing in. After a while, things start to become unrecognizable. The wall outlets start look like a pig is trying to force his way through the wall from the other side. In my case, the sash lock now looks like a large insect has been accidentally painted over on top of the sash.

Next, I’ll enter the real money sucking phase of the project. Paint and plaster is relatively cheap when compared to stainless steel chimney liners, journeyman masons, and high-end window treatments. It could be beans and rice for me next month.

Plaster Pop

POP!


POP!


POP!


As you can see I am making progress in the dining room. As impressive as those pictures are, they are strategically framed so as not to show the scaffolding, tools, paint pails, and general filth that still covers a lot of the floor.

I still have three big jobs left.

1) Big: Strip the windows. When I stripped all of the paint off the woodwork several years ago I never stripped the windows and window jambs because I wasn’t sure of the best way to do it without breaking the glass. I prefer a heat gun and I was afraid the high heat would break the glass. I still prefer a heat gun, but I feel more confident with it now. When I stripped this room it was the first time I had ever stripped paint before.

2) Bigger: Finish the floor. I need to replace a few floorboards and then even out the current surface. The plan is to finish the original redwood floor as it was originally done in 1895 with tinted shellac. What I need to do is fill some minor nail holes and some larger holes from electrical conduit. I also need to smooth out the current finish. This is the original tinted shellac finish, which was hidden for decades. I had to use a heat gun to get up some tar paper that was put down under some particle board in the 70s. Once I get it smooth, I’ll use aniline die to tint the shellac a deep, dark maroon and then slather on a half dozen coats, or so. Most of the floor will be covered with carpets.

3) Biggest: Repair the fireplace. I want to be able to burn coal. To do that safely I need to line the chimney. The big problem here is that the chimney no longer extends up through the roof. I need someone to line the chimney with a double-walled, stainless steel liner, repair the fire box, and rebuild the chimney so it extends high enough above the eves to meet code. It is not going to be cheap, but what is even worse than the cost is the fact that I can’t do it myself. In eight years the only time I’ve ever hired someone to work on my house was when a friend faux-grained my upstairs bathroom door. I don’t like other people working on my house. I’m sure there are therapist out there reading this and salivating at the thought of getting me in for sessions to deal with that, but that is just the way it is.


I’m very happy with the paint and the medallion, which I painted semi-gloss white. This rest of the paint scheme is a little more bold that I usually do. Every room I’ve painted so far has had color on the walls. To date, I have no white or beige walls. Bold, contrasting colors is something I have not tried, and red walls can go horribly wrong very fast.

I must have gone to every paint store in Eureka, Arcata, and McKinleyville looking at reds. In the end though, picking the gold color was the real challenge. I found a red called “Bolero” at Sherwin Williams almost immediately, but continued to look at reds over the next few weeks to see if there was something else I liked better. There wasn’t.

The gold took a lot longer. I actually bought samples and tried a few on the walls before I made the decision. That is something I’ve never done before. I ended up going with Benjamin Moore’s “Bryant Gold”. This was the first time I’ve used Benjamin Moore and I really liked the paint. It was pretty much one coat, with some touch-up afterwards. Not so with the Sherwin Williams.

Sherwin Williams can be frustrating because you never know what you’re going to get. Some of their interior dark bases are very watery. I just don’t understand it. The exterior paints are great no matter whether it is a dark or a light base. I went in and ordered the Bolero in flat, interior latex, Super Paint and the guy told that color does not come in that paint.

Uh?!?

I could only get Bolero in Super Paint if I went with semi-gloss. That would probably end up looking like I painted the walls in red Jell-O. I had to get it in Duration, which doesn’t come in flat. In Duration the lowest luster you can get is matte. Some paints come in matte, low-luster, and gloss, while others come in flat, satin, and semi-gloss. I mean, what the hell?

So I ended up with Bolero in Duration, matte. My blood is thicker than this paint. It took 4 coats to cover the walls. It is not that it took more paint – I didn’t even go through the gallon. It just goes on so thin that you must apply many coats to get good coverage. Very frustrating.

In the end I’m happy with it, so I guess that is what is really important.



I also made and installed picture rail to go at the confluence of the two colors. I went back to Almquist Lumber {why does that name sound familiar} to get more salvage, old-growth redwood and whipped up a batch of picture rail on the router.

I also Fine-a-Lee trimmed out the little dumb waiter style door I made oh so many years ago. I didn’t think I would ever get to that. But with that, the trim is this room is done-didly-un. My dining room woodworking days are behind me. Well, except for the windows, but that is just paint stripping, and I ask you, who doesn’t love to strip paint? No one – that’s who!

I also FINE-A-LEE finished the electrical in the whole entire house. Back in the 1970s they snaked half-inch metal conduit through the house to supply electrical outlets. It was beyond hideous but at least people had outlets and were not trying to plug everything in to the 4 outlets in the house. That’s right, I said 4. Prior to 1972 this 3500 square foot house had a total of 4 outlets in it, with most being tied in to the original 1895 wiring. Another fire waiting to happen.

I removed it all years ago when I rewired, but I never removed it from the dining room because of the paneled dado that extends 3 feet up the walls. In other rooms I cut holes in the plaster and installed modern boxes and outlets and brought everything up to code. I couldn’t bring myself to cut in to the dado. In the end, I installed the outlets in the baseboard. I had to cut in to the old redwood, but it looks so much better than the crappy conduit boxes.

Skimmed

Yesterday I skim-coated the walls in the dining room and today I did the ceiling. It went well – I think {I hope}. It is kind of hard to tell. I painted on the Weld-Crete on Thursday and it is an odd shade of blue. After skim-coating, the blue color shows through a bit and gives the walls a very mottled look to them. It is very hard to see irregularities.





Normally, I would end up with a more uniform color to the walls and it is easy to spot and fix bad areas before the plaster sets. With these walls it was like plastering by Braille. I know there are a few areas that will need attention. The bay window was a tough area to skim-coat. Those little strips on either side of the window were especially difficult to get right. There is no question I will need to - GASP! – sand them down and go over them again.

The other problem area is where the plaster meets the wood. I had plastic covering the wood and it kept getting in the way of the trowel. There are areas where the plastic is stuck in the plaster a little bit. I also may need to go over a few areas where the walls meet the ceiling. I’m going to let the plaster set up and do all of this next weekend.

Tomorrow though, I get to install this charming little thing…



I bought this at Ohmega Salvage in The Bay Area about 4 years ago and it has been up in the attic ever since. It is real plaster, but it is a reproduction. The high relief areas on the 4 sides are of fruits and vegetables, so it seems fitting for the dining room. I figured since I have the scaffolding up and the plaster equipment out, I might as well install it.



It comes in 5 pieces and they get assembled on the ceiling and then the seams filled with plaster. I will be painting it a gloss white instead of an eye-popping color scheme. My research tells me that this was the more traditional way of finishing these medallions. When ever you look at old, period pictures, the medallions are always white unless they are installed in over-the-top Rococo Revival style interiors with other gilded or painted plaster work on the ceiling. This high style was usually reserved for large and impressive rooms in mansions.

Biohazard

Ok, so I panicked. I realize that now. Still, with everything in the news these days about The Swine Flu, you can’t be too cautious.

As I was walking through the dining room with my first cup of coffee of the morning I thought I spotted a Swine Flu virus on the floor. I quickly dumped out my coffee and slammed the cup down on top of it. I then preceded to isolate the room from the rest of the house.

After I sealed the room off and got plastic sheeting over everything, I donned my homemade biohazard suit and with a can of Lysol in hand I carefully lifted the coffee cup off of the “virus”.









Well, it turned out to be an ant. A very confused and angry ant at this point, but an ant none the less. No, there was no Swine Flu in my house and I was completely safe after all.

Boy, isn’t my face red.

It wasn’t a complete waste of time, though. Now that the dining room is sealed off from the rest of the house and all of the woodwork is covered in plastic, the stage is set for plaster wall repair. The plaster is largely intact and structurally sound. The first step will be to clean the walls and get rid of any remnants of wall paper. I stripped off the 7 or 8 layers of wallpaper years ago, so this should not be too difficult.

I will then patch the minor nail holes and small divots. Once that is done I will paint the entire surface with Weld-Crete. Weld-Crete is a masonry adhesive made by Larson Industries. Its purpose is to help the new skim coat adhere to the 100+ year old lime plaster. They also make a product called Plaster-Weld, which would be more appropriate for this application, but the local supplier only carries Weld-Crete. They are essentially the same thing, only Weld-Crete is designed for exterior, industrial applications.

After the Weld-Crete is applied and has had time to dry I will skim coat with Diamond Finish plaster. After that I will paint, which brings me to my most feared and hated job of all…

Picking Out Paint Colors

This hideous and disgusting process started today.

Because I already have the dado in the room I will be doing a traditional “tripartite” wall where the wall is divided horizontally in to three parts: The dado, field, and frieze. This is a style that was popular from about 1870 to about 1910 and was championed by critics of the time like Charles Eastlake and Clarence Cook. When selecting colors of paint or wallpaper it was suggested that the frieze should be light in color, with the field darker, and the dado the darkest. The ceiling will be the same color as the frieze.

I’m leaning towards a red field and a gold frieze with a picture rail where the two meet. The dado, of course, is the burl redwood raised paneled wainscoting that is original to the room. So far the first round of color selection includes Sherwin William’s Bolero (7600) for the field and Humble Gold (6380) for the frieze and ceiling. If history repeats itself I will decide I don’t like these colors only after I have painted the entire room.

Another hair-brained idea I have is to paint the ceiling sky-blue and sponge on large, fluffy white clouds. I think this would only work if I applied a heavy cornice where the frieze and ceiling meets and chose something else for the field and frieze. Given that I have 2 green rooms in the house and the exterior paint is a monochromatic green color scheme, any shade of green is out of the question.

Eighteen of Eighteen

For all intent and purpose I am done with these cabinets!!!! I finished and installed the 18th and final door this afternoon.

Door Goes Open


Door Goes Closed


There are still a few things to do, but the carpentry portion of this never ending project has finally come to an end. I need to putty a lot of holes and everything – and I do mean everything, not just the cabinets – is covered in sawdust. There is also a little painting left to do on the butler’s pantry side. I should be able to finish all of that up mid-week next week.

Oh, and then there’s this…



The shop is covered wall-to-wall in 3 to 8 inches of saw dust. I'm hoping to find a few lost tools under there.

The Count Up

The sanding of the marble has officially started. I hope to finish by the weekend so I can start in on the wooden trim in the middle section. Here is the progression so far.


Factory cut


Router bit


100 Grit


150 Grit


220 Grit

So far all of the sanding has been done with the random orbital sander, so it goes fast. I plan on going to 600 wet sanding, so at some point I will switch to sanding by hand. The top has a polished surface, but I’ve decided I don’t like that. I polished the marble in the bath, and I was planning on doing that here, but I’m rethinking it. It just looks too new and modern. I’m leaning towards doing a final sanding with 600 grit over the entire surface to given it a dull, honed looked.

Shwing! Marble’s Here!

There was a message on the machine last night when I got home, but it was too late to contact them. At 10:00 this morning I got a call saying it was on the truck and ready to go. I met them at the house about 10 minutes later. Installation took them all of 5 minutes because it was pretty much just drop it in to place.



I had them leave it hanging about 6 inches off the edge so there was room for the router.



It is pretty much just a rough, saw cut edge when I get it, so the first thing to do is run the router over it.



The router bit has a bearing on the bottom that rides along the edge as the blade cuts. This ensures a even depth of cut. In the kitchen I did a quarter inch round-over and was able to do it in one pass. This time I went with a 5/8th inch round-over and it took several passes. Note the vacuum hose on the router. This is am absolute must.

The first couple of feet were very nerve-wracking. After a few minutes though, I got in to a groove and it went quickly. I would work on about a 1-foot section at a time and keep running the router over it until the bearing bottomed out.



Here is what I’m left with. From here I’ll work on it with the random orbital sander, starting out with 100 grit and working my to at least 300. I’ll probably finish it up by hand with some 600 grit wet/dry sandpaper and then polish it out. It is just the edge, so doesn’t take too long.

As it turns out, the slab they ended up getting was over 9-feet long. Even they couldn’t explain it. What this means is that there was no need for me to shorten the width of the middle section. I brought the sides in 3-inches on either side so it would be less than 8-feet. Not much I can do about it now.

Because I bought the whole slab they have a huge piece left over. Originally, the plan was to store it in the garage, but based on the size of the “remnant” (There is more left-over than I used) they talked me in to leaving it in their yard. I think I have a plan for it, but more on that later.

All Dressed Up And No Where To Go

Two weeks ago the fabricator bought the slab of marble for the cabinet. I made 3 phone calls to them and each time I was assured it was a simple job and they should be able to get it to me soon. As far as stone counters go, it really is a simple job. It is just 4 or 5 straight cuts, with no sink holes to cut, and no finishing or polishing of the edges or surface.

Last week someone was out sick and they got a little behind. No big deal. These sorts of things happen. This week I called and was told I would get it by Friday (Yesterday). I was sure it was going to happen, so I spent a few hours after work each night getting ready for the installation. I got all of my tools set up and took care of some normal weekend chores so I could spend all weekend working on marble and trim for the middle section.

The marble needs to have the edge trimmed, and then the surface polished and sealed. The final trim for the middle section will consist of more than 4 dozen small pieces that will need to be cut precisely as they are installed. I decided to just set up shop in the dining room, rather than making what could be hundreds of trips back and forth between the shop and the dining room. Each piece will take multiple cuts, so despite the potential for mess, this will save hours and hours of time.

Below are some shots of what the dining room looks like right now.

1. Router hooked up to the shop vac with a new bit installed and tested for height, ready to finish the edge on the marble
2. RO sander with 100 through 220 grit paper, along with the polishing attachment and solution
3. Compressor, hose, and brad nailer to put on the trim after marble is finished and in place
4. Compound miter saw ready to install the trim
5. Router table set up with the female bit of the rail/stile set installed and tested for height, ready to install the trim
6. All of the trim I’ve milled over the past few weeks ready to be installed






There is, of course, just one little problem…..



The marble never showed up. I feel like I’ve been stood up for the prom. I spent all week getting all gussied up, only to be left here waiting and wondering where my date is. It is very frustrating. If I were a woman I suppose the thing to do at this point would be to start shoveling ice cream in to my face while I watch predictable chick-flicks all weekend. As a man though, I feel compelled to get shit-faced drunk while I sit around and watch predictable sci-fi movies. I have nothing else to do!

The Internet To The Rescue!

I think I came up with an idea for the trim. I couple of readers left some good comments, and others with rad Photoshop skilz submitted a few doctored up pictures. While it is hard to say at this point how any of the ideas will work in the end - mine or theirs - the different perspectives allowed me to think of things I might not have otherwise.

Allen’s Idea


Paul’s Idea


Allen’s would definitely work, and is not off the table at this point. Paul’s idea is closer to what I will most likely do. The rest of the trim for the middle section is sort of a coffered ceiling look. Because I must maintain symmetry with all of the squares, I can’t have the new trim encroach on the other trim. Think Paul's idea, but a little less.

The real problem all along is the space I have to work with. It is only a half inch thick. The existing piece I made is about 3/8th inch thick. Quick math will tell you I only have an 1/8th of an inch left. That is not enough to do much of anything with.

Like I said, I think I came up with a good solution, but rather than confuse the issue more, I’ll post better pictures in a few days. I thought the marble was going to arrive this week, but it didn’t happen. I spoke with the owner of the shop on Tuesday and they purchased the slab, but didn’t get a chance to cut it yet.

I’m going to call again this Tuesday. I really need to get it in next week because I’m reaching a point where I’m running out of things to do without having the marble in place. On the plus side, I am literally weeks away from finishing the project.



I got the shelves finished today….



And I have piles of trim waiting to be installed after the marble is in.

The only thing left to work on really, is the last little door in the middle section. I’m hesitant to work on it because the final shape and size will be determined by the middle section trim and marble. None of that matters though, right now, because this weekend is The Big Race, so it is not like I don’t have other things to do.

For The Glory!

The Marble Is On Its Way!

They came by today to make a template. I supplied them with an accurate diagram, but the woman in charge strongly encouraged me to get the template done. I started to protest, but then capitulated because I just got the feeling that the more I insisted against it, the more likely something would go wrong and it would be my fault because I gave them the diagram.

So they came by a made a template today. They showed up on my lunch hour and were in and out in about 20 minutes. They showed up about 10 minutes late and the woman actually apologized for being late. And it was a sincere apology! This sort of thing is almost unheard of coming from a contractor or tradesman.

I called 3 different people for estimates. One place said they only do granite, not marble. Whatever – click! The next place got the estimate wrong. I sent them the same diagram with the same explicit instructions on the edge and they still added in more than $300 for a laminate edge I didn’t want. Even after deducting that, they were still 20% more than the people I ended up going with.

The people who are cutting this marble are the same who cut the slab for the kitchen island. I’m doing the same deal, where they cut the basic shape and then I finish the edge. For the island, they had a partial slab in the yard and I picked it up, so that was dirt cheap. This time, they will need to order a new slab and I will have them deliver the final piece. I will also get the remaining part of the slab, which is larger than the piece for the cabinet. More on that later.

While the young man made the template I took the woman in to the kitchen and bathroom to show her the other marble work I had done. It was fortuitous because she said she would try and find a piece of marble that closely matched what I already had. They buy from someplace down in San Leandro. She told me the cost was about half as much as buying locally.

So they should have the slab by Monday and cut it sometime next week. If all goes well it will be in the house by next weekend and I can start to work on the edge. In the meantime, I’ll work on the shelves and start to make the final door. The only thing besides that, is the trim on the middle section.

I could be done in a month!

Back To Solid Foods

Which is good because I like solid foods. Many of my favorite foods only come in solid form. Unfortunately, a nasty abscessed tooth prevented me from eating solid foods for several days last week. On Monday I was able to pay an endodontists absurd amounts of money to drain nasty liquids from my jaw. By the weekend I was back to eating solid foods and back to working on the cabinets.


I milled and installed the baseboard. That was pretty straight forward.


I also got the glass installed. In the end I did not do any etching on the glass. I couldn’t decided on anything and I’m too far into this to drag my feet now. Even so, this was a time consuming and tedious project. I made the quarter round to hold the glass in myself. It is ¼ X 3/8 quarter round that I made on the router and table saw. Then I had to nail it in to place! I’ve broken glass in the past doing this and I didn’t want to brake any this time.


I also made the shelf brackets. Veeeerrrrry tedious work. Lots of time with a jig saw. If you’re not familiar with these types of brackets, you can read about them here.


Aaaaand, I bought a carpet for the room. I’m a sucker for 25% off and couldn’t pass it up. The rug is 8X11. Originally (1895) the room had a 9X12 rug in it. I can see where it was tacked down to the floor. I could probably find a 9X12 rug at a zillion times the cost of the 8X11 one I bought at 25%. I’m happy with the 8X11 rug.

The Last Of It

Well, Heter Brothers it ain’t, but I’m hoping the tour-de-force use of curly and burl redwood will detract from my obvious lack of fine cabinet building skills. Yes, it looks fine, but lets face it, people normally go through apprenticeships and train for years to be fine cabinet builders. I didn’t have that luxury, so it is was it is. What it is, is a very passable substitute for original 1895 cabinets in the dining room.

Here is the trim stock for the middle section after being run through the router, sanded, and oiled.







Most of this came out of that big chunk of wood I wrote about yesterday. It is interesting that the whole cabinet is being made of redwood, yet with the variations in the wood you might think there were different species of wood used. This last batch of redwood has some of the pretties grain. Some of it kind of reminds me of tortoise shell.

As I wrote before, the wood is difficult to work with. This batch had the added difficulty of being in such a large and unwieldy shape, but the curly redwood in general has its own idiosyncrasies that present challenges.

Because the grain undulates through the wood, all of the dark areas are like end-grain and the light areas and like straight grain. Even with brand new router bits and planer blades there is a lot of sanding to do with the “end-grain” areas. Straight-grained redwood mills up so nicely that it usually comes out of the machine needing little more than light sanding. Not so with this stuff.

I may not have enough of this curly trim to do the whole thing, so I ran a few pieces of regular redwood just in case. You can see them in the last picture. I’ll start at the bottom and more visible areas and work my way up. The non-curly stuff should end up in areas that will only be seen when you’re on you knees.

Hmmm, come to think of it, that happens a lot in this house. I'm on my knees a lot lately whimpering about how I will never finish this house. I may need more curly redwood.

Trim Stock

Once upon I time I bought a big, gnarly chunk of redwood burl. It turned out to be a very difficult thing to work with. In the end I was forced to cut it in to very small pieces in order to work with it. Over the past few days I’ve taken those small pieces and made them even smaller.

What I’ve ended up with is roughly 60 uniformly sized pieces of curly redwood which I’ll use to trim out the middle section of the cabinet.

Below is what I started with….
{The top slab in the back became the drawer fronts and the bottom two became the face-frames for the cabients}


It was really a difficult thing to work with. I still have some of it left in tact, but most of it ended up looking like this….


Now today I turned most of that in to this - 1.25 X 7/8ths….


There is still some of the cut up stuff left over….


Eventually the uniform pieces will be used to trim out the middle section like this…


Tomorrow I’ll run the uniform pieces through the router. Once the marble is in I can trim out the middle section. No word on when the marble is going to come in.

Seventeen Down

These last four doors are the best yet. It is nice to see that I can improve with practice. They all fit the openings well. The hinges are mortised in perfectly. They were a lot of work to make, but for the most part there were no real problems.









There is just one more door to make. It will be for that small, center opening in the middle part of the cabinet. You can see the opening in the picture above, and to the left of the opening you can see the curly redwood board that I’m going to use to make the panel for it.

Before I can do that though, I need to install the marble counter and trim out the middle part. The trim will define the jamb and casing for the door, so that needs to go up first. I’m going to order the marble on Monday and there’s no telling how long that will take.

There is still plenty to keep me busy. I need glass for the upper doors. I need to build brackets and shelves for the upper cabinets. I need to mill all of the curly redwood for the trim on the middle section. There are going to be a lot of small pieces of trim for that area and they are all in odd shapes and sizes. Finally, I need to make a baseboard for the bottom. Even if I don’t get the marble for a month, I think I have enough to keep me busy.

The bast part is, I have a punch-list and the end is in sight.

Slouching Towards Completion

I’m a little more than half way through 4 of the last 5 doors. I’m working on the 4 small doors on the bottom of the dinging room side of the cabinets. I now wished I had done these bottom 4 before I did the 4 uppers. These went pretty smooth with the jig to mortise the hinges, when compared to the uppers.



In this picture the doors are just sitting in the openings. The mortise and tenon joints are just dry fit. The hinges are mortised in but they aren’t screwed in to place. This is just to make sure everything fits. The next step will be to add a decorative bevel to the inside-front of the door and to mill a dado to accept the panel.

These doors will be solid wood, raised panels. This presented a bit of a problem and a missed opportunity. The panels need to be 12.5 inches wide by 14.5 inches high. I found some beautiful wood at Almquist Lumber that was almost perfect - almost.

Apparently there are some guys in Korbel, CA that are going up in to the mountains and salvaging old-growth redwood logs that were felled 100 years ago but never taken to the mill. For what ever reason – the logs were too big or not deemed good enough – there were left there. So now Almquist has a great selection of rough-cut, full-dimensional old-growth redwood. There is every size from 1X4 up to 1X12. They also have 5/4ths thick lumber, which is great for making the cabinet doors, since I milled all of the curly redwood to 7/8ths for the face-frames.

The problem is, the largest width is 12 inches and I need a minimum of 12.5 inches. It is not something I could fake, so I had to get some 1X8 and glue up two boards. Those are out in the garage in clamps right now.

The good news is, I should get these four doors finished by this weekend. Then there will be just the one center door left. Whew! If it weren’t for the fact that I need to write a fat check to the Government in 10 days I could order the marble, but that will need to wait. There is plenty to do still, so I don’t think the project will sit idle for lack of marble.